Elena Tarkhanova
In stark contrast to the photographers discussed earlier, Elena Tarkhanova's portfolio eschews human subjects, placing her rural landscapes in the spotlight as the protagonists of her artistic narrative. In her thought-provoking series, "Dagestan 2022," Tarkhanova embarks on a visual journey to chronicle the stories of sparsely populated villages nestled within the Republic of Dagestan in Russia. This region, blessed with abundant natural beauty, grapples with profound economic and social challenges.
Nestled amidst the highland villages, Tarkhanova uncovers the enduring essence of remarkable and unique crafts. However, a haunting specter looms over this picturesque tableau—the steady decline in population year by year. Life in these remote corners is marked by simplicity and monotony, exacerbated by the glaring absence of modern communication and technology.
Tarkhanova's "Dagestan 2022" series deliberately shines a spotlight on the desolation that shrouds these lands. It's as if her lens purposefully omits the presence of human figures, instead placing center stage the remnants of recently slaughtered animals and three closed doors on two walls. These austere compositions may, at first glance, appear eerily vacant, but they serve as poignant vessels for her deep contemplation of the issues plaguing these dwindling villages.
Tarkhanova's masterful compositions amplify the silence that envelopes these once-vibrant locales. The closed doors, starkly accentuated against the backdrop of rustic settings, resonate as metaphors for the barriers these communities face, figuratively and literally. In this deliberate absence of human presence, the artist eloquently speaks to the viewer, urging them to ponder the consequences of neglect, disconnection, and the relentless march of time on these vanishing villages.